Essentially it comes down to whether you want both the experience and aesthetic of film coverage.

The built-in nostalgia of film is unmistakable. People always seem to have a connection with film: it may have been a part of their childhood or their favourite movies. It now evokes feelings of warmth and curiosity, like memories and life's moments coming full circle. 

Aesthetically, there is always more character in film photos. This arises naturally—not through heavy filters or editing—but because of how images are expressed through the sheer variety of different film stocks, cameras, and lenses; down to the processing and scanning of the film itself.

(And through the eyes, heart, and brain of your photographer too, of course.)

Graininess, interesting colour combinations that are difficult to emulate in digital photos, film strip borders, light leaks and so-called imperfections all lend visual interest to film photos and the way they're experienced.

When paired with digital coverage, film is that extra touch that makes a wedding gallery feel complete.

So, how do I know if film is right for me?

I've always strived to offer my clients something more than your typical wedding photography. While I've noticed that film has become more popular and even "trendy" in some circles, I wanted to make sure that film aligned with what I was already doing. To be intentional.

Film is more than just an aesthetic. In our digital age, it's an experience few get to be a part of. It's exclusive because of the technical ability needed to use film well, but also beautifully inclusive:

People are used to seeing wedding photographers with a digital camera, often a standard DSLR. But when I roll up to a wedding with something compact and unconventional, people are immediately interested:

They want to learn more; they begin talking about how their family had a film camera to document milestones and vacations; and any nervousness they had about being photographed melts away.

This results in candid expressions, fun interactive "poses", and memories that stay with you and your guests long after the dancing winds down for the night.

I cherish these moments of connection and delight with my clients and their guests—and I know they do as well, especially when it shows in the final images.

More authenticity, always.

Why do you shoot weddings on film?

Staying curious has always allowed me to evolve and elevate my photography work year after year. So, choosing to scan my own film negatives feeds that curiosity while also allowing me to put more care into the images I create for my clients.

I use a couple of different scanning methods depending on the type of film used: one that is tried and true using a machine from the early 2000s, and another being on the forefront of innovation. I love the mix of artistry and technology that this job provides.

Why do you scan your own negatives?

Approximately 30% of the entire gallery if clients decide that analogue film is right for them.

How many film images do you provide?

For over a decade now, primarily with personal work. However, I decided to incorporate film into weddings three years ago once I knew I could use it intentionally throughout a full wedding day.

How long have you been shooting film?